WHITE & BLACK CONTRAST EMBROIDERED

A white mulmul cotton kurti with bold black Chikankari-style embroidery — a boxed floral yoke, scattered booti through the body, and a leaf-vine border at the hem and cuffs. Graphic, high-contrast craft. Sold as the kurti only.

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Kurti Full Sleeves

₹ 2 569,00

(Hors taxes)

Taille
Couleur
Matériel
Genre
Classe d'âge

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Spécifications

Taille	XS(Bust-34), S(Bust-36), M(Bust-38), L(Bust-40), XL(Bust-42)
Classe d'âge	25-35, 35-45
Couleur	Ivory White
Matériel	Pure Cotton
Genre	Female

Chikankari is usually a study in restraint — white on white, thread matched so closely to fabric that the pattern only reveals itself in shadow and light. This kurti takes the opposite position. Black embroidery sits boldly against a crisp white mulmul cotton ground, every motif fully legible from across a room rather than requiring a second look. A boxed floral panel commands the yoke, dense and structured, framed by a leaf-vine border that runs along both shoulders. From there, small black booti scatter down the body in a loose, irregular rhythm, echoing the yoke without repeating it. A matching leaf-vine border closes the hem, cuffs and side seams, giving the whole kurti a graphic, finished edge. This is Chikankari built for contrast rather than concealment — the craft is just as considered, but it isn't asking to be discovered slowly. Sold as the kurti alone.

This kurti is made in pure mulmul cotton — a fine, lightweight, breathable cotton with a soft, slightly textured hand. Mulmul's crisp white base is exactly what black contrast embroidery needs to read cleanly: unlike a printed or busy fabric, the plain white ground lets every black stitch stay sharp and legible against it.

What this means for the wearer:

Highly breathable — one of the most comfortable cotton weights for warm climates and all-day wear
A clean, matte white finish that gives black contrast embroidery maximum visibility and definition
Naturally structured drape — holds shape well without needing lining or stiffening
Softens further with wear and washing, characteristic of mulmul rather than a flaw
Best cared for with gentle washing and low-heat ironing — confirm exact care instructions from the product record before publishing; note that black-on-white contrast garments are also worth washing separately at first to protect the white ground from any dye transfer

Since this listing is for the kurti only, styling suggestions below are pairing ideas — not included items.

As styled (graphic, coordinated): Paired with matching black-and-white embroidered trousers and gold juttis, as shown, for a fully coordinated monochrome look. Suited to daytime festivities, brunches, or any occasion that calls for graphic Indian craft rather than a soft, tonal palette.

Reinterpreted, contemporary routes:

With plain black straight trousers — a clean, high-contrast base that keeps the graphic energy of the kurti without repeating the embroidery below the waist.
With white or ivory straight trousers — a quieter, monochrome-white take that lets the black embroidery stand entirely on its own.
With dark denim — the black-and-white embroidery against denim reads as an easy, everyday version of the piece, well outside occasion-only territory.
With gold jewellery, as styled — warm gold against the black-and-white palette adds a third tone without competing with the graphic embroidery.

Footwear: embellished juttis or flat sandals for daywear; a low block heel for evening.

The embroidery on this kurti draws on Chikankari, the traditional embroidery style associated with Lucknow, known for its fine, disciplined stitchwork worked directly onto the base fabric — here executed in bold black contrast thread rather than the more familiar tonal white-on-white treatment.

What's visible on this piece:

A dense, boxed floral panel at the yoke, worked in black and structured with a clear border, giving the neckline the most concentrated embroidery on the garment
A leaf-vine border running along both shoulders, connecting the yoke panel to the sleeves
Scattered black booti motifs placed individually down the body, front and back, spaced with the same slightly irregular rhythm typical of hand-guided Chikankari placement
A matching leaf-vine border at the hem, cuffs, and side seams, closing the garment with a consistent graphic edge

Contrast-thread Chikankari asks more of the base fabric than tonal work does — every stitch has to be placed cleanly, since there's no fabric-matched thread to soften an uneven line. The crispness of this piece's black-on-white finish is worth noting as a marker of execution quality, not just a colour choice.

WHITE & BLACK CONTRAST EMBROIDERED

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