BLACK SHADOW WORK | GOLDEN BOOTI

A sheer black Georgette kurti in light shadow work Chikankari — a diamond trellis pattern with scattered golden booti and a structured embroidered yoke. An evening-ready craft piece. Sold as the kurti only.

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Product Image Note: Some images on this page are AI-generated editorial representations. We carefully preserve the garment’s design, embroidery and colour, but appearance, drape and details may vary slightly from the actual piece. For current photographs of the real garment, please contact Lunevi on WhatsApp before ordering. Every order is fulfilled with the genuine hand-embroidered garment described on this page, made using carefully selected fabrics.

₹ 1,659.00

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Specifications

SIZE	XS(Bust-34), S(Bust-36), M(Bust-38)
AGE GROUP	15-25, 25-35, 35-45
Product Type	Kurti
Sleeve Length	Full Sleeve
COLOR	Starry Black
MATERIAL	Rich Georgette
GENDER	Female

Black doesn't often get the shadow work treatment — the technique is usually kept to whites and pastels, where the softened, reverse-worked stitch has room to show through. Here it's reversed: a diamond trellis of tonal shadow work runs edge to edge across sheer black Georgette, visible mostly through texture and the shift of light rather than contrast, exactly as shadow work is meant to be seen. Scattered through the lattice is a second layer of detail — small golden booti, set in at intervals rather than repeated in a grid, catching light the trellis alone wouldn't. The yoke gathers the pattern into a more structured panel at the neckline, finished with a subtle scalloped trim. Sheer through the body, with long sheer sleeves closing at an embroidered cuff, this is a kurti built for evening — quiet from a distance, considerably more detailed up close. Sold as the kurti alone.

This kurti is made in pure Georgette — a lightweight fabric with a fine crinkled texture and a naturally fluid, semi-sheer drape. On black, Georgette's sheerness is especially pronounced, which is part of what allows the shadow work embroidery to read at all: the technique depends on light passing through the fabric to reveal the softened stitch outline underneath.

What this means for the wearer:

Lightweight and fluid — moves easily against the body rather than holding a stiff shape
Genuinely sheer, particularly in black — this kurti is styled over black trousers in the product photography with no separate visible lining at the torso, so confirming lining/inner-layer inclusion is essential before this goes live
The gold booti embellishment adds visual weight without adding fabric bulk, keeping the piece light despite the density of the pattern
A delicate fabric best handled with gentle, low-heat care

Note: fabric composition (100% Georgette vs. a blend) and comes with a inner lining.

Since this listing is for the kurti only, styling suggestions below are pairing ideas — not included items.

As styled (evening-ready): Paired with straight-leg black trousers and flat black shoes, as shown, for a clean, evening-appropriate silhouette that lets the sheer embroidery and gold booti carry the visual interest. Suited to receptions, dinners, or festive-evening dressing where black feels more considered than a full colour statement.

Reinterpreted, contemporary routes:

With a black slip dress underneath and worn as a sheer overlay — treats the kurti as a layering piece rather than a standalone garment, letting the trellis and gold booti sit against solid black beneath.
With wide-leg trousers in black or deep charcoal — keeps the tonal palette while giving the silhouette more movement than a slim trouser.
With gold statement jewellery, as styled — the gold booti in the embroidery gives a direct cue to lean into warm-tone jewellery, particularly bold earrings against the sheer sleeves.
Layered over a contrast-tone camisole (deep red, emerald, or ivory) for those who want the sheerness to show colour rather than solid black underneath.

Footwear: flat ballet-style shoes for daytime-to-evening ease; a low heel for more formal settings.

The embroidery on this kurti combines two techniques from the Chikankari family: light shadow work (saya), worked in tonal black thread from the reverse of the fabric so the pattern shows through the sheer georgette as a soft, diffused outline, and golden booti work, small individual floral motifs picked out in gold rather than tonal thread.

What's visible on this piece:

A continuous diamond trellis pattern in tonal black shadow work, covering the kurti from shoulder to hem — dense in coverage but quiet in contrast, since black-on-black shadow work reads almost entirely through texture and light rather than colour difference
Scattered golden booti set into the trellis at intervals, breaking the tonal pattern with small points of warm colour and shine
A structured, more heavily worked panel at the yoke, framing the keyhole neckline with a scalloped embroidered trim
Embroidered cuffs on the sheer long sleeves, echoing the trellis-and-booti combination in a contained band

Pairing shadow work with a contrasting gold embellishment is a more elaborate treatment than shadow work alone — the tonal trellis provides the quiet, all-over texture that shadow work is known for, while the gold booti gives the eye a series of deliberate points of focus against it. This dual-technique combination is worth stating specifically, since it's a genuine point of craft difference from a single-technique piece.

BLACK SHADOW WORK | GOLDEN BOOTI

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